The major scale is the source map for chords, keys, modes, and a huge amount of guitar theory. Once you can see it on the fretboard, other scale names stop feeling like disconnected vocabulary.
The major scale formula is whole, whole, half, whole, whole, whole, half. In scale degrees, that gives you 1, 2, 3, 4, 5, 6, and 7.
In C major, the notes are C, D, E, F, G, A, and B. In G major, the same formula gives you G, A, B, C, D, E, and F#. The formula stays the same. The starting note changes.
Note names matter, but scale degrees tell you what each note is doing. The 1 sounds like home. The 3 tells you major or minor. The 5 sounds stable. The 7 wants to resolve upward in a major key.
When you practice the major scale, say the degrees as you play. This makes chord construction and modes much easier later.
The major scale is easier to remember when each pattern sits around a chord shape. A CAGED region gives your hand a visual frame, and the scale notes fill in around that chord.
Pick one key, choose one CAGED position, and find the 1, 3, and 5 first. Then add the 2, 4, 6, and 7. This turns the scale from a fingering exercise into a map of the key.
The C major scale contains C, D, E, F, G, A, and B. On guitar, those notes repeat across the fretboard in multiple CAGED positions.
Yes. Modes are easiest to understand as variations or rotations of the major scale, especially when you can see the scale degrees.